Tuesday, December 31, 2013

The Boy Of Locked Gardens And The Woman Spread Thin (A Children's Story)

The Boy of Locked Gardens and The Woman Spread Thin
There once was a boy who had many beautiful gardens. He would spend hours and hours in his gardens, joyfully frollicking amonst the flowers and leaves, saturating himself with the scents of earth and blossoms. There was a problem with his gardens, however. He was the only one that could see them. He tried many times to show his friends and family the gardens he had grown, eagerly gesturing past the main gate to the treasures within. And many times they left shaking their heads in confusion or anger, shaming him for what they thought he had imagined. The boy became discouraged and lessened his visits to the gardens. He soon stopped visiting at all. The gardens grew unkempt and soon impassable. The boy found one day, when he tried to return, that he had even lost the key to enter the main gate. He had been careless in his pain, unable to share his pleasures with others.
Then one day, while the boy walked along the crumbling outer walls of his gardens, longing for the halcion days he once spent inside their confines, he noticed something new. He felt something or someone nearby, but could see nothing. "It's like trying to find a candle in the dark" he thought, "except you don't know if the candle is really there." Little by little, a form materialized in front of him. It was a woman! She stretched out over the whole valley, over the horizon even and the boy could not see the end of her, though she was spread so thin that there was hardly any of her left to see. "How come I can barely see you?" he asked. "I have had my pieces spread out far and wide, stretched many miles until I am nearly a ghost, invisible to most people who look upon me," she replied. "But how'd you get that way?" the boy persisted. "A great many of my pieces were taken from me, those who did not have enough body of their own would steal some of mine and run far away with it. Sometimes I would give my pieces away to those that needed it more than I. Thus my body would become stretched thin and taut," she answered. "Like not enough butter over too much bread?" asked the boy. "Precisely," she agreed. As the boy and the woman became friendly and learned of each other, the boy came to understand that the woman had given quite a bit of herself up to others, in fact, it seemed as though every moment she became more tangible with the gaining back of some piece of her body, some other part of her would slip away just as fast. He found it much like watching fog blow into a room through a door and then out again through a window.
She in fact gave some of herself to his gardens, as he always found his flowers more upright and less wrinkled, brighter and less dull after her every visit. Soon he found he had vibrant gardens once again. They had not yet risen to their former glory but they were too strong now to lapse back into their former state, excepting for seasonal changes of course. With the woman's help, the boy took down the gate to the garden so he could never be locked out again.
This continued for some time, the woman visiting the boy and his gardens growing healthier and healthier, until one day he noticed the woman let out a sigh. It was a painful sigh, one of much tiredness and weariness. He then realized how awfully, dreadfully tiring it must to hold oneself up so long over many miles, especially when ones legs where not underneath. He decided then that he would go on a quest. A quest to help her return the stolen peices to herself, so she could be happy again and not have to strain so hard just to stand up. She had done so much for him and he found that he cared for her so deeply that he was compelled to help. As she was the first in a long time to see his gardens and the beauty possible therein, so too did he see her coporeal and majestic beauty waiting to be returned.
He traveled for many days that became months that became years. Sometimes he stumbled and hurt himself but the woman would appear and lend him a part if he needed it. His gardens stayed beautiful overall, tending themselves with open gates. Some people even began to visit and love it and help with the tending. This brought the boy and the woman much joy for his gardens truly were a wondrous place, though the boy was often too bashful to admit it. He continued on his quest, not noticing that not only did his garden grow and not only did the woman become more solid as she walked alongside him during their visits, but he grew too. One day he found that he had grown into a man. Eager to show his friend, the woman, he waited in a familiar grove for her arrival. Finally she did, and for the first time, he saw all of her present and together. Speechless with awe, he took her into his arms and held her close. She knew then that someone saw all of her, even the pieces that were not yet there.
Together, the man, the woman, and the garden all grew together larger and larger, more beautiful than anything anyone had ever seen before. Many people came to visit. Some were rejuvenated by the wealth they generated, others left some of their own wealth for others. All in all the gardens were a happy place, tended to and grown with love and care for all to share and adore.
THE END


*Content copyright The Samnambulist, 2013*

Iceland Trip, Days 2-5

So, back to Iceland info! Day 2 consisted of getting up extra early, catching a taxi to the local airport (though the hotel was located adjacent to the airfield, the terminal was on the far side), and flying north to Akureyri (~40 km from the arctic circle!). We were greeted at the airport by Disa of the Skjaldarvik Guesthouse, where we stayed for two days. If you take nothing else from these Iceland posts, hear this: STAY AT THIS GUESTHOUSE! Disa and her husband were super-nice, that is superbly-para-humanoid nice. Given, we were almost the only people staying at the guesthouse at that time so we perhaps got special attention, but it was very evident that Disa takes care of her guests.
Details? Well, firstly you should know that it is a converted retirement/long-term managed care center though it has been remodeled beautifully so that the only evidence is in the large industrial bathrooms which still have some grab bars and associated paraphernalia. As a Physical Therapist by trade, I actually quite appreciated this and hope that the bathrooms remain accessible to all. Apparently the history of the guesthouse is well known locally (but then Iceland is so small everyone practically knows everything about everybody it seems). This was made plain by several jokes made by tour guides as they picked us up or dropped us off.
There is also an honor system bar, a lounge with telescope, an above-ground geothermally warmed hot tub, two very friendly dogs, a horse, and many chickens. The fjord on which the guesthouse sits is also very gorgeous, everywhere I looked, it was like living in a National Geographic issue.

Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.

http://www.skjaldarvik.is/en/

That night we attempted to see the Northern Lights, but alas, were mostly thwarted by clouds. We did spy some flashes behind the clouds, it looked to me a bit like concentrated heat lightning. Interestingly, we met a couple from our neck of New York who we kept encountering throughout the rest of our trip, including on the plane home. Small world!

The next morning we were off mega-early for a day of touring the countryside. We saw several remarkable sights, including some boiling mud pits (smelled like rotten eggs because of the sulfur), a dormant volcano with a lake in the basin, a natural springs underground convict hide-away in a hillside, a cow farm where we had geyser bread (bread baked by burying it underground near a geothermal heat source) and milk straight from the source, a hot spring lagoon (they are just as blue as pictured!), the God Falls, and the Dimmu Borgir! Our tour guide was pretty cool and apparently likes Rock Music. He related an awesome story from when he used to be an air traffic controller and actually guided in Bruce Dickinson!

Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.
  Photo copyright Maureen Shockey, 2013.

We booked our trip through Icelandic Farm Holidays, who basically did all the planning work for us, I recommend them:
http://www.farmholidays.is/

We opted out of a second round of Northern Lights spotting that night, partly due to fatigue after our day of travels but mostly due to the still cloudy sky. The next afternoon we were off to Reykjavik again for our last day in Iceland.
We again visited downtown and had some good, cheap Asian fusion food (though Icelanders can't handle spicy food it seems, their 'spicy' was like a 'mild' to my tongue). We also visited the oldest cemetery in town, which is host to several endangered ferns and mosses!
Photo copyright Maureen Shockey, 2013.
Photos copyright Maureen Shockey, 2013.

We enjoyed another night in the domestic airport hotel, then took the shuttle to the international airport and were on our way back to New York. Iceland was truly a moving experience and I highly recommend a trip there to anyone even remotely considering it. The locals tell me it gets quite busy in the summer, so if you handle the cold, go in the off season like we did.

Until next time,
-Sam


*Content copyright The Samnambulist, 2013, unless otherwise noted*

Wednesday, October 9, 2013

Broken Hope "Omen of Disease" (2013 album review) + BONUS live reviews

I just listened to the new Broken Hope album today, and YES it is killer! It certainly lived up to the hype for me. The songs are short and brutal with the classic mash up of chunky slow grooves and rapid-fire leads with blistering solos. The new line-up really works well together.

Let me say that I have been a Broken Hope fan since the early 2000's so I was super pumped when they announced a reunion tour, though I was skeptical of how they would sound without their original singer, who tragically died many years ago. The live show delivered, both in support of Obituary and at MDF 2013. Thankfully, these performances seem to have brought a whole bunch of new fans to the band. If you like stuff from the early 2nd wave of American Death Metal, such as Immolation, old Cannibal Corpse, old Suffocation, etc then you NEED to check out Broken Hope.


I haven't yet decided where the new album falls in relation to the other releases, one listen isn't enough. I will say that "Swamped In Gore" and "Bowels of Repugnance" are quite hard to top for me so this album will probably fall somewhere after them. Don't let that discourage you from listening to the new album though, it truly is brutal and has some disgusting lyrics (as always) which might be some of their best!

As for the above show, I saw the tour at the Gramercy Theatre in Manhattan, at great venue with sloping floor so General Admission people can see pretty much anywhere. There are also seats for those who want them. Obituary DEMOLISHED live, they played a long, long set and the crowd rewarded them by going appropriately bananas. Decrepit Birth was a little to 'technical' with way too many blast beats for me (meaning that the notes to brutality ratio was unbalanced in favor of the notes), Jungle Rot was great and had a solid set (as always, I've seen them at least 3x) though their sound was not as good this show (I blame the sound guy). Encrust was interesting, sounding like Death Metal and Crust as their name implies but not combining and of the best elements of either to me so they also fell short of amazing me. I will say all the bands put on an energetic show, I just didn't get into Decrepit Birth or Encrust.

http://www.brokenhope.com/HOME.html


*Review and photo copyright The Samnambulist, 2013*

Monday, October 7, 2013

A FABLE

I found myself in a secluded village during my life's journey, pondering the progression of my life and lamenting over its state of perceived futility and fragility. An old man in the town in which I was staying told me an interesting tale. He told me that there was a mighty drake that soared through the skies on certain evenings and that he was indescribably beautiful and old. Furthermore, if one were able to kill the drake, that person would inherit the drake's immortality.
As I had been of late much concerned with my own mortality and age, I decided to await the drake on the appointed nights with a magical weapon in hand. This spear had been forged by the local armorsmith, a man of legendary weaponry, and blessed by a powerful local shaman. Eager to have the matter of my trial against the drake over as quickly as possible, I paid these local experts to prepare these items for me. Wealth I had, eternity I did not.
After some nights of failure to spot the drake, waiting impatiently on sparse wind-bitten steppes, I finally caught sight of my prey. He was indeed beyond any words I know and likely beyond any that exist in the tongues of man. Nonetheless, I can say that he gracefully wound across the whole sky, back and forth, too quick to fully interpret his moves yet too slow to be unawed at their magnificence. He cast color about in all directions, lingering longest where he had last wound and coiled his titan form across the welkin.
He suddenly yet purposefully turned back towards me as though he was aware of his challenger but wished to display his grandeur before approaching in his regal fashion. This all after he wound ahead for what appeared many miles, though speed and distance were hard to judge, owing to his massive size and aforementioned timeless motions.
Picking up speed, he appeared to instantaneously grow many sizes larger, though I quickly realized this was because he was charging at me. As his tremendous bulk struck the ground I managed to leap and perchance land upon his body, clining barely with my extremities. Though the force with which he seemed to strike the ground was shattering, if he left any marks upon that virgin though spartan land, I did not see them and could not find any later. It was as though his force was concentrated only upon me and my mission, that we existed in a realm beyond that around us.
I managed to find projections and undulations to grip and maneuver about his body, though the wind as we rushed over the landscape was fierce and though his light was blinding against the ever-dark backdrop of the clear night sky. Once I had adequate purchase, I looked about for a weak spot from which the drake might be dispatched. I was raised my magical weapon as I looked, ready to attack at a moment's notice.
Then I lowered my weapon as my actions and their consequences seeped into my head like a gentle breeze against a fog bank. I could not bring myself to injure this creature, though it was quite doubtful I could at all, even marring his hide to claim some victory over his might would be fleeting. This besides, neither satisfaction, however great, nor life, however long, could compare with the pleasure of knowing such a beautiful creature existed untainted and untamed. I might live forever, but the drake's beauty would be lost forever to people the world over. I could not be so selfish nor could I feel fufilled were I to injure the drake.
He seemed to sense this change and wrapped me in light and warmth til I was blinded. It was as though I floated in a cloud on the sun. Then I saw a dark opening in the light and approached it, knowing intuitively that it led to the reality I had left when I first began battle with the drake. Though it was most comforting here, I realized that I must leave this place. Though it was serene it was also void of all other things. I needed to bring the lesson of the drake to the peoples of the world, something I could not do from deep in its bowels. I hesitated for only a moment to draw a deep breath, then I plunged into the darkness of the surrounding night.
I emerged upon a high hilltop near where my evening began, weapon alongside me. I looked up in time to see the drake sailing over a nearby mountain range. Though I cannot be sure if it was the wind in my ears, I fancy I heard some roar of acknowledgement from the drake as he departed. I made my way back to town feeling like a man reborn.
The next day I encountered the old man who had told me about the drake. He had a large smile and held up his hand to silence me before I had opportunity to tell my tale. He said, "Tell others what you have learned and live by it yourself. For no man can live forever in seclusion nor should he live to steal beauty. Beauty will come to him in its own time and a man's life is his own eternity for the universe is made only of his own perceptions and thus is born and dies with him." I then thought I heard a faint stirring of the wind like the voice of the drake and turned to look. Seeing nothing I turned back to the old man who had vanished. I returned to my life and home and lived happily by these lessons and the many that followed in their wake.

*Content copyright The Samnambulist, 2013*

Friday, October 4, 2013

ICELAND Trip, Day 1

"We're in... Iceland!" Very much unlike Wayne & Garth's not so excellent adventure in Delaware, I am super-excited to be in Iceland for the next few days. Though there was way too many last minute issues because yours truly can't plan a trip to save his life, I arrived in Iceland today with my beautiful partner to celebrate one year of marriage. On that note, perhaps I should post some photos of it someday. I dressed as a viking and cut a viking head-shaped cake with a sword, not to mention that we had a libation with a drinking horn.

We landed in Reykjavik at what amounted to about 2 AM our time, 6 AM local time and rode from Keflavik airport on a shuttle bus to downtown Reykjavik and our hotel. This in itself was somewhat confusing as their is a domestic airport right in downtown Reykjavik as well so if you ever travel here, be sure to check your airports!

Once checked in, we ate and crashed hard for a few hours. Thankfully 100 ISK go for roughly $0.82 USD currently so it didn't hurt THAT much to pay a ridiculous amount for hotel food. After our power nap, we headed downtown to shop and eat. Apart from some souvenirs for friends and family, I bought some excellent socks with a helm-of-awe and a viking head on them as well as a statue of the Icelandic female Krampus for myself. The statue is an old hag troll with goat's hooves, horns, and a bag of naughty children dragging behind. And right around Yule time too, perfect! Gruess Von Krampus! You KNOW that will be on display year-round at home!

All the staff at the hotel and at the shops downtown as well as all the citizens and fellow travelers we have met have been incredibly friendly and helpful, not to mention the air quality and view are markedly improved from our home near Manhattan. The water is crystal clear and the purest I've ever had anywhere. For dinner tonight we ate at Cafe Loki (how awesome?!). I ordered what was basically a traditional Icelandic Christmas dinner: lamb (smoked and both in texture and flavor indescribably blissful), boiled potatoes in cream sauce, red boiled cabbage, and peas. I washed it down with more water and birch tea. Yum!!

As of now, we are considering going out to try and spot the Northern Lights over Reykjavik tonight, but if not our next two nights are in Akureyri specifically for them so it's not necessary. Expect many more posts with pictures to follow as available. I guarantee a review of Icelandic lamb hot dogs, so be prepared!

Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.

This is right outside our hotel!

Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.

 This church was pretty beautiful. Though I am an atheist, I can appreciate the art of many religions, not to mention many cultures in general. I really liked how this place managed to be so spartan but so pretty. I also especially liked that the organ had some horizontally projecting tubes. Unfortunately, I was not treated to any dirges issuing from it...

Photo copyright Maureen Shockey, 2013.

 Dinner, day 1!

Photo copyright Maureen Shockey, 2013.
 Photo copyright Maureen Shockey, 2013.

Leif Eriksson statue! Yes, I am stoked to be there.

*Content copyright The Samnambulist, 2013, unless otherwise noted*

Sunday, September 22, 2013

Nocturno Culto new solo release!

It came to my attention today that Ted Skjellum AKA Nocturno Culto (notably of Norwegian Metal band Darkthrone) will release a solo album via Peaceville Records on Oct 28th 2013! See the link for details as I am too busy cleaning the shit out my pants since I heard about this! For those of you unfamiliar, Nocturno Culto has also been busy with the Sarke, in which he provides vocals. Though he took no credit for song-writing on the 1st album, the riffs suit him quite a bit. Since Sarke (with Nocturno!!!) are playing Maryland Deathfest this year (2014), this is the year of Nocturno! Ted had also been busy this summer trying to fund a film idea, 'SAGA,' a biker-chick-zombie-viking-Heavy Metal film. Yeah, that awesome. Co-written by and starring Nocturno. How this didn't get enough funding, I don't know except that it was poorly advertised. I contributed, but alas, not enough money was raised to start filming. Hopefully, this year's MDF appearance and sales of his album will help funding but artists make precious little on their releases so it will probably only put food on his table. One can hope, though...

I would also recommend to all readers interested in the Norwegian Black Metal scene to view Nocturno Culto's film "The Misanthrope" which is available on DVD and in a CD/DVD set with the soundtrack (written by Nocturno) included. I have the CD/DVD set and suggest it, the music is great eerie ambient electronica. The film itself has a heavy David Lynch vibe at times, alternating with a very honest, simple, fly-on-the-wall feel as the viewer watches Nocturno go about his business ice-fishing with members of Enslaved, seeing Gallhammer in Japan, and having a Tyrant Syndicate (his now-defunct label co-operated by Fenriz) 'meeting' which amounted to a gathering of Norwegian Metal legends gathering around a fire and talking. Do not miss Apollyon pissing on the fire, hilarity ensues! If you found "Until The Light Takes Us" interesting, I you MUST see "The Misanthrope" to see what life is currently like for Nocturno and friends.

To Pre-order:
https://www.burningshed.com/store/peaceville/product/233/5076/

*Review copyright The Samnambulist, 2013*

Death In June LIVE in Brooklyn Sept 20th 2013

The Blackened Series brought me another gem this week, as I FINALLY got to see Death In June live! Firstly, if anyone has every said that DIJ is a fascist band, they were wrong, they are quite the opposite. Don't believe me? See the early Crisis stuff (pre-DIJ punk band). Yes, one former member DID go super right-wing, but DIJ itself and certainly founder Douglas P. never have.

THAT said, DIJ has had several styles over the years, progressing from the punk sound of Crisis on very early recordings, to stripped-down mostly martial percussive drones, to noisey electronics, to acoustic folk, to any combination of the above. The lion's share is the acoustic folk, usually consisting of Douglas P. singing over an acoustic guitar with minimal background accompaniment, often sparse percussion, chimes, bells, horns, etc. The subject matter of the lyrics is usually depressive, utilizing metaphors, symbols, ideas/ideals from Nordic and Germanic culture to create a unique and personal gestalt that is something like sad-man paganism. I do also love that Douglas P. is openly gay. One (of many!) quirk(s) in their history that I would like to discuss is the extensive collaboration with Boyd Rice. I am not super familiar with him but from I gather of his public persona, he likes to annoy people simply for his own amusement. I give him credit for his sound experimentation and for having (at the very least) interesting and different ideas, but I have yet to find anything that really makes me like him much. ANYWAY, Death In June is awesome and so was the show.

The set started and ended with songs in the martial drumming style with acoustic bits throughout the majority of the set. I was happy with the mix of songs, with some from pretty much every major release. Douglas even asked for and delivered some requests! The sound was great too, which I had been a bit worried about since the acoustic stuff takes careful miking to broadcast.

As for stage show, there was a back drop of a huge American flag with  the death's head symbol used by DIJ in the blue field. The same design with alternation between the death's head and the DIJ 'whip hand' symbol decorated the drums on stage. Performers were Douglas and a percussionist. Both of course were wearing all camouflage and Douglas began by performing in his signature DIJ mask. Of note, it was interesting to see him play in a long flectar camo jacket with shorts and high socks! Throughout most of the set though he wore no mask but instead a hat and dark glasses with his camo get-up. I was well pleased with the show and felt satisfied with the set.

Songs included (in no order) but not limited to:
Giddy Giddy Carosel, She Said Destroy, Symbols of the Sun, 13 Years of Carrion, Roseclouds of Holocaust (check out the Nachtmystium cover!), Fall Apart (check out the cover by Ikon!), Good Mourning Sun, To Drown a Rose, Death of The West, We Drive East, Ku Ku Ku, But What Ends When The Symbols Shatter?, My Black Angel, All Pigs Must Die, The Enemy Within

http://www.deathinjune.net/

http://www.blackenedmusic.com/

*Review copyright The Samnambulist, 2013*