Monday, October 7, 2013

A FABLE

I found myself in a secluded village during my life's journey, pondering the progression of my life and lamenting over its state of perceived futility and fragility. An old man in the town in which I was staying told me an interesting tale. He told me that there was a mighty drake that soared through the skies on certain evenings and that he was indescribably beautiful and old. Furthermore, if one were able to kill the drake, that person would inherit the drake's immortality.
As I had been of late much concerned with my own mortality and age, I decided to await the drake on the appointed nights with a magical weapon in hand. This spear had been forged by the local armorsmith, a man of legendary weaponry, and blessed by a powerful local shaman. Eager to have the matter of my trial against the drake over as quickly as possible, I paid these local experts to prepare these items for me. Wealth I had, eternity I did not.
After some nights of failure to spot the drake, waiting impatiently on sparse wind-bitten steppes, I finally caught sight of my prey. He was indeed beyond any words I know and likely beyond any that exist in the tongues of man. Nonetheless, I can say that he gracefully wound across the whole sky, back and forth, too quick to fully interpret his moves yet too slow to be unawed at their magnificence. He cast color about in all directions, lingering longest where he had last wound and coiled his titan form across the welkin.
He suddenly yet purposefully turned back towards me as though he was aware of his challenger but wished to display his grandeur before approaching in his regal fashion. This all after he wound ahead for what appeared many miles, though speed and distance were hard to judge, owing to his massive size and aforementioned timeless motions.
Picking up speed, he appeared to instantaneously grow many sizes larger, though I quickly realized this was because he was charging at me. As his tremendous bulk struck the ground I managed to leap and perchance land upon his body, clining barely with my extremities. Though the force with which he seemed to strike the ground was shattering, if he left any marks upon that virgin though spartan land, I did not see them and could not find any later. It was as though his force was concentrated only upon me and my mission, that we existed in a realm beyond that around us.
I managed to find projections and undulations to grip and maneuver about his body, though the wind as we rushed over the landscape was fierce and though his light was blinding against the ever-dark backdrop of the clear night sky. Once I had adequate purchase, I looked about for a weak spot from which the drake might be dispatched. I was raised my magical weapon as I looked, ready to attack at a moment's notice.
Then I lowered my weapon as my actions and their consequences seeped into my head like a gentle breeze against a fog bank. I could not bring myself to injure this creature, though it was quite doubtful I could at all, even marring his hide to claim some victory over his might would be fleeting. This besides, neither satisfaction, however great, nor life, however long, could compare with the pleasure of knowing such a beautiful creature existed untainted and untamed. I might live forever, but the drake's beauty would be lost forever to people the world over. I could not be so selfish nor could I feel fufilled were I to injure the drake.
He seemed to sense this change and wrapped me in light and warmth til I was blinded. It was as though I floated in a cloud on the sun. Then I saw a dark opening in the light and approached it, knowing intuitively that it led to the reality I had left when I first began battle with the drake. Though it was most comforting here, I realized that I must leave this place. Though it was serene it was also void of all other things. I needed to bring the lesson of the drake to the peoples of the world, something I could not do from deep in its bowels. I hesitated for only a moment to draw a deep breath, then I plunged into the darkness of the surrounding night.
I emerged upon a high hilltop near where my evening began, weapon alongside me. I looked up in time to see the drake sailing over a nearby mountain range. Though I cannot be sure if it was the wind in my ears, I fancy I heard some roar of acknowledgement from the drake as he departed. I made my way back to town feeling like a man reborn.
The next day I encountered the old man who had told me about the drake. He had a large smile and held up his hand to silence me before I had opportunity to tell my tale. He said, "Tell others what you have learned and live by it yourself. For no man can live forever in seclusion nor should he live to steal beauty. Beauty will come to him in its own time and a man's life is his own eternity for the universe is made only of his own perceptions and thus is born and dies with him." I then thought I heard a faint stirring of the wind like the voice of the drake and turned to look. Seeing nothing I turned back to the old man who had vanished. I returned to my life and home and lived happily by these lessons and the many that followed in their wake.

*Content copyright The Samnambulist, 2013*

Friday, October 4, 2013

ICELAND Trip, Day 1

"We're in... Iceland!" Very much unlike Wayne & Garth's not so excellent adventure in Delaware, I am super-excited to be in Iceland for the next few days. Though there was way too many last minute issues because yours truly can't plan a trip to save his life, I arrived in Iceland today with my beautiful partner to celebrate one year of marriage. On that note, perhaps I should post some photos of it someday. I dressed as a viking and cut a viking head-shaped cake with a sword, not to mention that we had a libation with a drinking horn.

We landed in Reykjavik at what amounted to about 2 AM our time, 6 AM local time and rode from Keflavik airport on a shuttle bus to downtown Reykjavik and our hotel. This in itself was somewhat confusing as their is a domestic airport right in downtown Reykjavik as well so if you ever travel here, be sure to check your airports!

Once checked in, we ate and crashed hard for a few hours. Thankfully 100 ISK go for roughly $0.82 USD currently so it didn't hurt THAT much to pay a ridiculous amount for hotel food. After our power nap, we headed downtown to shop and eat. Apart from some souvenirs for friends and family, I bought some excellent socks with a helm-of-awe and a viking head on them as well as a statue of the Icelandic female Krampus for myself. The statue is an old hag troll with goat's hooves, horns, and a bag of naughty children dragging behind. And right around Yule time too, perfect! Gruess Von Krampus! You KNOW that will be on display year-round at home!

All the staff at the hotel and at the shops downtown as well as all the citizens and fellow travelers we have met have been incredibly friendly and helpful, not to mention the air quality and view are markedly improved from our home near Manhattan. The water is crystal clear and the purest I've ever had anywhere. For dinner tonight we ate at Cafe Loki (how awesome?!). I ordered what was basically a traditional Icelandic Christmas dinner: lamb (smoked and both in texture and flavor indescribably blissful), boiled potatoes in cream sauce, red boiled cabbage, and peas. I washed it down with more water and birch tea. Yum!!

As of now, we are considering going out to try and spot the Northern Lights over Reykjavik tonight, but if not our next two nights are in Akureyri specifically for them so it's not necessary. Expect many more posts with pictures to follow as available. I guarantee a review of Icelandic lamb hot dogs, so be prepared!

Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.

This is right outside our hotel!

Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.
Photo copyright Maureen Shockey, 2013.

 This church was pretty beautiful. Though I am an atheist, I can appreciate the art of many religions, not to mention many cultures in general. I really liked how this place managed to be so spartan but so pretty. I also especially liked that the organ had some horizontally projecting tubes. Unfortunately, I was not treated to any dirges issuing from it...

Photo copyright Maureen Shockey, 2013.

 Dinner, day 1!

Photo copyright Maureen Shockey, 2013.
 Photo copyright Maureen Shockey, 2013.

Leif Eriksson statue! Yes, I am stoked to be there.

*Content copyright The Samnambulist, 2013, unless otherwise noted*

Sunday, September 22, 2013

Nocturno Culto new solo release!

It came to my attention today that Ted Skjellum AKA Nocturno Culto (notably of Norwegian Metal band Darkthrone) will release a solo album via Peaceville Records on Oct 28th 2013! See the link for details as I am too busy cleaning the shit out my pants since I heard about this! For those of you unfamiliar, Nocturno Culto has also been busy with the Sarke, in which he provides vocals. Though he took no credit for song-writing on the 1st album, the riffs suit him quite a bit. Since Sarke (with Nocturno!!!) are playing Maryland Deathfest this year (2014), this is the year of Nocturno! Ted had also been busy this summer trying to fund a film idea, 'SAGA,' a biker-chick-zombie-viking-Heavy Metal film. Yeah, that awesome. Co-written by and starring Nocturno. How this didn't get enough funding, I don't know except that it was poorly advertised. I contributed, but alas, not enough money was raised to start filming. Hopefully, this year's MDF appearance and sales of his album will help funding but artists make precious little on their releases so it will probably only put food on his table. One can hope, though...

I would also recommend to all readers interested in the Norwegian Black Metal scene to view Nocturno Culto's film "The Misanthrope" which is available on DVD and in a CD/DVD set with the soundtrack (written by Nocturno) included. I have the CD/DVD set and suggest it, the music is great eerie ambient electronica. The film itself has a heavy David Lynch vibe at times, alternating with a very honest, simple, fly-on-the-wall feel as the viewer watches Nocturno go about his business ice-fishing with members of Enslaved, seeing Gallhammer in Japan, and having a Tyrant Syndicate (his now-defunct label co-operated by Fenriz) 'meeting' which amounted to a gathering of Norwegian Metal legends gathering around a fire and talking. Do not miss Apollyon pissing on the fire, hilarity ensues! If you found "Until The Light Takes Us" interesting, I you MUST see "The Misanthrope" to see what life is currently like for Nocturno and friends.

To Pre-order:
https://www.burningshed.com/store/peaceville/product/233/5076/

*Review copyright The Samnambulist, 2013*

Death In June LIVE in Brooklyn Sept 20th 2013

The Blackened Series brought me another gem this week, as I FINALLY got to see Death In June live! Firstly, if anyone has every said that DIJ is a fascist band, they were wrong, they are quite the opposite. Don't believe me? See the early Crisis stuff (pre-DIJ punk band). Yes, one former member DID go super right-wing, but DIJ itself and certainly founder Douglas P. never have.

THAT said, DIJ has had several styles over the years, progressing from the punk sound of Crisis on very early recordings, to stripped-down mostly martial percussive drones, to noisey electronics, to acoustic folk, to any combination of the above. The lion's share is the acoustic folk, usually consisting of Douglas P. singing over an acoustic guitar with minimal background accompaniment, often sparse percussion, chimes, bells, horns, etc. The subject matter of the lyrics is usually depressive, utilizing metaphors, symbols, ideas/ideals from Nordic and Germanic culture to create a unique and personal gestalt that is something like sad-man paganism. I do also love that Douglas P. is openly gay. One (of many!) quirk(s) in their history that I would like to discuss is the extensive collaboration with Boyd Rice. I am not super familiar with him but from I gather of his public persona, he likes to annoy people simply for his own amusement. I give him credit for his sound experimentation and for having (at the very least) interesting and different ideas, but I have yet to find anything that really makes me like him much. ANYWAY, Death In June is awesome and so was the show.

The set started and ended with songs in the martial drumming style with acoustic bits throughout the majority of the set. I was happy with the mix of songs, with some from pretty much every major release. Douglas even asked for and delivered some requests! The sound was great too, which I had been a bit worried about since the acoustic stuff takes careful miking to broadcast.

As for stage show, there was a back drop of a huge American flag with  the death's head symbol used by DIJ in the blue field. The same design with alternation between the death's head and the DIJ 'whip hand' symbol decorated the drums on stage. Performers were Douglas and a percussionist. Both of course were wearing all camouflage and Douglas began by performing in his signature DIJ mask. Of note, it was interesting to see him play in a long flectar camo jacket with shorts and high socks! Throughout most of the set though he wore no mask but instead a hat and dark glasses with his camo get-up. I was well pleased with the show and felt satisfied with the set.

Songs included (in no order) but not limited to:
Giddy Giddy Carosel, She Said Destroy, Symbols of the Sun, 13 Years of Carrion, Roseclouds of Holocaust (check out the Nachtmystium cover!), Fall Apart (check out the cover by Ikon!), Good Mourning Sun, To Drown a Rose, Death of The West, We Drive East, Ku Ku Ku, But What Ends When The Symbols Shatter?, My Black Angel, All Pigs Must Die, The Enemy Within

http://www.deathinjune.net/

http://www.blackenedmusic.com/

*Review copyright The Samnambulist, 2013*

Medicine LIVE at Williamsburg Music Hall 2013

So, firstly, this show was a BIG DEAL in the apartment. My partner turned me on to this band early on in our dating days. Medicine is noisy and experimental rock group that stands out from others in the shoegaze genre in that they are able to mix huge walls of sound with dreamy, pop-like vocals in a way I haven't heard any other band do as well. Prior to listening to Medicine, I was familiar with bands like My Bloody Valentine, (loosely with) The Jesus And Mary Chain, etc. though my tastes run more towards darker variants of the style such as many Wolves In The Throne Room releases (Black Metal seems to lend itself well to shoegaze as it is already pretty tilted towards guitar experimentation from the 2nd wave, from Scandanavia i.e. "De Mysteriis.." era Mayhem, Thorns, even Darkthrone's early Black Metal releases have a droney, wall-of-sound style, though I'd argue that this had more to do with crust punk sensibilities and limited access to equipment.

Anyway, Medicine does what they do very well, big guitars with many, many layers and ethereal vocals that are just a few notches short of the Cocteau Twins to me. After about 13 years of silence, they returned with a new album that, to me, at least matches their back catalog. As songs were released to fans (a small but loyal base, from what I've seen), I listened and digested. I was most impressed that the availability of newer technology did nothing to ruin the Medicine sound, instead, it was improved: more layers, better noise.

As for the show itself, I will start off saying that I was not impressed with the opener (to the point that I don't even remember their name) which consisted of about 10 hipsters on stage with an incredible redundancy of instrumentation that didn't come through the mix anyway. So, for Medicine! The live sound was excellent, so my hat's off to the sound technician, they are a difficult sound to manage. It was not as good as the album, but certainly better than I expected for live (and I had high hopes). Part of the treat was just to see the guitar/effects rig being used. The set was a solid mix of new and old songs as I recall. In short, if you like Medicine and somehow get a chance to see one of their exceedingly rare live shows, do it! The sound will not disappoint. Additionally, everyone had excellent showmanship and exuded heavy energy the whole show.

I also appreciated that the band members were super-approachable and mingled with the crowd afterwards, talking with friends and fans present for more than an hour after the set, as they were able with stage break-down.

Medicine Facebook:
https://www.facebook.com/pages/Medicine-Band/148976065123004

Pictures of the above show via Brooklyn Vegan:
http://www.brooklynvegan.com/archives/2013/08/medicine_played.html

*Review copyright The Samnambulist, 2013*

Wednesday, September 18, 2013

DOA Live in NYC for last time (sort of) Sept 13 2013

I am a recent fan of DOA (about 10 months) though I've heard them spoken of often and highly by sources I trust. Anyway, this tour was intended as a farewell party as founding member Joey Shithead is going to run for office in Canada next election season. Here's what I love about DOA: they do indeed back their talk with action (they have an album named for it), they are proud of their influences (Joey had  a Pink Floyd sticker on his guitar and is also a big Bob Dylan fan, for example), and, finally, they know how to ROCK! So many artists the world over (myself included!) have a hard time composing songs that are dynamic but in what I consider true rock form, DOA always delivers. The songs go somewhere; there is tension built and released, structured progression of notes and volume, etc. The newest DOA cuts on "We Come In Peace" are no exception so if are already like them, I think you dig it. If you've never listened to them, this is a great place to start!

Hopefully we can look forward to more DOA shows in the future, though I want Joey to have as much positive influence on this world as he can (and so should we all) so I will try to keep perspective in mind. DOA can be full of surprises though, take this show for example: it was supposed to be their last NY show (held at Brooklyn's Europa Club, which has hosted the Casualties, the English Dogs, Antisect, and many other great acts!) but there was a secret 2nd show at the Grand Victory right after (I didn't go, subway travel was FUBAR, I was a tired old man at an ancient 26 years of age, and Grand Victory shows have always started WAY late for both shows I've seen there (Koffin Kats and Gene Loves Jezebel) though the venue is intimate and loud).

https://myspace.com/doapunk/music/songs

*Review and photos copyright The Samnambulist, 2013*

Sacrifice Pt 2 (Saxon live)

So SAXON has released a new beast on the world, with their 2013 release, "Sacrifice." It has been kicking my ass since I bought it at the show.

Regarding the CD: the production is tight and heavy, but don't worry it doesn't feel clinical, just that the producer knew what he/she/it was doing. Stand out tracks are 'Sacrifice' 'Made In Belfast' and 'Wheels of Terror' though 'Waiting in a Queue' gets humor points.

Regarding the show: the set list was picked by a fan, as there was some contest on the Saxon facebook that I missed. Whoever arranged it, the set was KILLER! They opened with 'Sacrifice' followed by 'Wheels of Terror' and it wasn't long before we shared some of the "Power & the Glory." The band was in excellent form and was extra-energetic.

http://www.youtube.com/watch?v=8d_6BkhKPAk

Fozzy opened, which to my dismay and confusion did NOT involve any muppets. Fozzy is a little to soft for me, they seem to always 'almost' make it, but that's just my taste. I WILL say that they put EVERYTHING into their live show, they were interacting constantly with fans, jumping all over the place, and in general having great showmanship. So if a non-fan is saying they are great live, I suggest that any fan gets their hide to a Fozzy show, poste-haste!

The show was at BB Kings Bar & Grill which I like as a venue except for the fact that you get major bottle-necking trying to exit and if you sit at a table (optional) there's some annoying minimum purchase required ($15, I think?). On the other hand, they get and I have seen some great acts there, including Morbid Angel, Grave, Dark Funeral (one show!) and The Minions of Gozer (a Ghostbusters Shadowcast, you should see them!).

*Reviews copyright The Samnambulist, 2013*